My practise reflects renewed engagements with photography through continued explorations of its early analogue forms to its digital present.
In my experimental photographic practice I move back and forth between the formal and the formless. I shoot with very little structure, limited only by a set of materials and means. The editing and installation process is where I shape and make sense of the variety of images generated in the studio, as well as outside of the studio on my travels. This is the moment where I consider the experience of viewership by arranging, juxtaposing and planning the image’s installation for actual sites.